| Oct. 5th, 2009 @ 11:02 pm Welcome to the Dollhouse |
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I keep reading all these pessimistic reviews on Joss Whedon's TV series Dollhouse linked from whedonesque.com, it's all just stupid.
People are treating the ratings like they're some personal guide to watching the show: "Oh, it only got a 0.8 in the ratings this week, so I guess I'll give it a 3 out of 10"
GAHH
The show is doing fine people. The first two episodes have felt a lot more "in the groove" then anything in season one (except maybe Epitaph One, the extra episode, which was spot on). Last week's episode renewed my hope that Joss and Co. can actually handle an episode of the week format and not go flopping around like a fish out of water. The dialogue was tight, the plot was intriguing, and the acting squarely pulled me in.
I just finished reading a review from cinemablend.com that kept comparing the show to Buffy, Angel, and Firefly. I think this is the problem with most of the review's I've been reading online, they only look at Dollhouse in light of Joss Whedon's other television work, and compared to Firefly's campiness Dollhouse just seems depressing.
Well, Joss Whedon must be a very depressing fellow. The last two seasons of Buffy were incredibly dark, regular cast were getting murdered and maimed. Likewise in the last season of Angel. Compared to some of the things he made his characters go through in the past, brainwashing seems almost quaint.
And, don't forget, Joss Whedon also wrote for Roseanne and Toy Story. Despite being a family comedy, Roseanne could be incredibly poignant. Perusing over the list of episodes he wrote over on wikipedia, it's not all fun and games. Toy Story is the other end of the park, but there's still classic Whedon angst and dialogue throughout.
Then we come to his current work, the Astonishing X-Men and the Buffy season 8 comics. Astonishing X-Men was probably one of the most painful X-Men stories I've ever read, worse then the Dark Phoenix for me just because of how emotionally attached I was to my memories of these characters who Joss was toying with like puppets. As for Buffy season 8, in a way I think it's the show he's always wanted to see made but never got: the struggles are bigger, and yet even more personal then in the tv show.
So, back to my original point: Joss Whedon is one depressing guy. I read once somewhere - wish I could link it - that he never liked to let his characters be happy. I learned to watch for any sign of happiness, because I knew one or more of the group would soon be dead, soulless, or otherwise buggered. And this is what makes good television, these's people's lives are interesting to us because it not candy coated or boring; it's visceral and real and painful and it's on every Friday at 9:00pm on FOX.
OK, so I'm not a good salesman. This may make good TV but it sure doesn't make popular TV. But popular TV trends gave us reality television people, we're just climbing out of that circle of hell, do we really want to slide back down? That said, unemployment, war, and swine flu are *real* issues and perhaps most people aren't ready to escape a painful reality to an even more painful virtual one. There's a reason World of Warcraft is the most popular MMO, and it's got nothing to do with the Warcraft; It's the bright colors, witty dialogue, never ending questlines, collectable pets, a constant stream of equipment upgrades, and an eternity of raiding with your peers. Dollhouse has Eliza Dushku holding a baby and a butcher knife; and I'm OK with that because the alternatives are Dateline and reruns of America's Next Top Model.
So FOX, what do you need to do to get more viewers? First pair it with Fringe. Either move Dollhouse to Thursdays or Fringe to Friday's - why are you trying to compete against the NBC comedy nights anyway? Second, throw money at writers, particularly writers who can balance Joss's natural angst. Finally, to everyone else, enjoy the show we have while we have it for the show it is - otherwise, we're all soon back to endless reality tv.
- Jimbo |
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